A film considered the great apex of the silent film era, Our Dancing Daughters is a perfect time capsule of 1920s high society and a showcase for the young woman formerly known as Lucille Le Sueur -- Joan Crawford.
She rose to fame as the quintessential Jazz Baby -- a woman of social means and relaxed morals who was liberated of the corsets and sexual mores of the previous age. And Joan Crawford was embraced by American and international film fans as the ideal movie star. She remained a box office favorite until the late 1940s and never stopped being a star until her death in 1977.
The erhu, a two-stringed instrument which is evocative of China, is being used in contemporary recordings of pop and underground dance music.
For a one-thousand-year-old instrument, the erhu is holding up pretty well in modern times. It has been featured in contemporary film scores (House of Flying Daggers) and utilized by rock and pop musicians for it's unmistakable sound.
You're welcome to interpret that as the library giving out some, but it's also the title of the newest creation by Medeski Martin & Wood. Comprised of a collection of recordings from their all-acoustic tour in 2007, it manages to simultaneously surprise and maintain a level of consistency that fans expect.
MMW has been around since 1991 and, like most jazz groups, has a complex history deeply intertwined in collaboration with other musicians. Members John Medeski--piano and keyboard, Billy Martin--drums, and Chris Wood--bass, have each dabbled in many projects over the years individually, and together combine a host of talents and backgrounds. Speaking of jazz, you can think of MMW as that, but such a wide variety of other genres go into it that maybe the most accurate moniker would be experimento-jazz-funk-jam-band.
From old jazz classics to modern marvels of musical fusion, the upright bass enriches the sound that reaches your ears. Bass makes up part of the backbone of an ensemble, along with the drums, but it's capable of so much more as a solo instrument. I love music in which the upright bass, with its unique and velvety resonance, pops out and takes center stage.
The story starts with the classics. Charles Mingus (1922-1979), the old school king of walking bass, played upbeat, funky jazz grooves at a pace that could only have been achieved by a master. His music can still make the drive home in heavy traffic somehow enjoyable, as if those busily bustling rhythms somehow match life in the big city and make it better.
Amy Winehouse died in London over the weekend at the age of 27. She tragically joins the ranks of many notable musicians that passed away at this young age. Winehouse's albums include Back to Black and Frank.
Melody Gardot is a jazz singer and an amazing, inspirational person that I am thankful for learning about at the library! Her story is not without tragedy. At the age of 19, she was hit by a car and as a result of extensive damage ended up with severe neurological complications that she continues to deal with to this day. Using music as a form of therapy, she has risen to be one of the most enticing jazz singers I have ever heard.
Gardot's first album, Worrisome Heart came out in 2008. In 2009, she released My One and Only Thrill. Ms Gardot continues to advocate for music therapy and inspire those that face overwhelming obstacles.
Today marks the anniversary of John Birks "Dizzy" Gillespie's birth. Born on this date in 1917, Dizzy and his contemporaries revolutionized modern jazz and influenced generations of musicians to come. Mr. Gillespie died in 1993, but his music remains legendary.
Compared to legends like Billie Holliday and Shirley Horne, Abbey Lincoln was born Anna Marie Wooldridge August 6, 1930 in Chicago, the 10th of 12 children. Heading to L.A. at the age of 19, she became a nightclub singer until she rose to stardom. Sadly, Ms. Lincoln passed away this weekend at the age of 80.
In addition to being an amazing singer, Abbey Lincoln was nominated for the Golden Globe for Best Supporting Actress in 1969 for her role as the title character in For Love of Ivy starring opposite Sidney Poitier, who also wrote the story. This came as no surprise to those who had seen her in the 1964 film, Nothing but a Man.